Choi Soojin captures the vague image of objects that exist inside and outside the wired media and recreates them with the Hand Building method of ceramics.
Baked solid masses are traded and used by others according to the craft's mechanism, and again acquire status as objects.

I regard that clay as "three-dimensional paints" and make still-life paintings in real life one by one which could be touched and used in the way of stroking their surfaces with hand.