Choi Soojin captures the vague image of objects that exist inside and outside the wired media and recreates them with the Hand Building method of ceramics.
Baked solid masses are traded and used by others according to the craft's mechanism, and again acquire status as objects.

Choi Soojin reproduces the objects inside and outside the wired media with various soils and chemicals made by her.

Baked-solid-masses are traded and used by others and placed on the border between art and practicality.